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It flashes its cynical, cash-grabbing intentions like a bright neon diner sign on a New Jersey state road. The low cost ensures that it will make money even if just the Wayans go see it. A year later, Malcolm moves in with his girlfriend Megan, an insecure woman with two kids, her bratty and promiscuous teenage daughter Becky and effeminate son Wyatt, who has a stereotypically black imaginary friend named Tony. The family moves into a new home with their dog, Shiloh Jr. After the movers hang a safe next to the lawn, an invisible force unties the rope tied to a support beam, causing the safe to fall on the dog and crush him.
Ebiri on A Haunted House 2: A Movie-Length Nervous Breakdown - Vulture
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He then takes a shotgun and blows its head off to put it out of its misery. A Haunted House 2 is a 2014 American satirical horror comedy film directed by Michael Tiddes and starring Marlon Wayans. The film is the sequel to the 2013 film A Haunted House and the final installment in the duology. Produced by IM Global Octane and distributed by Open Road Films, the film was released on March 28, 2014.[3] Like its predecessor, the film received negative reviews from critics, and earned over $25 million at the box office. Its past installments have found attendees stealthing their way through a Victorian home and embarking on a Blade Runner-esque bounty hunt. You can also float between rooms of the mansion, and even get a peek behind the scenes with a VIP ticket.
Ratings and reviews
This time, the main target of parody is "Sinister," though jabs at "Insidious" are also present. The botched re-enactments of the former’s murderous 8mm home movies aren’t funny, but they’re at least well done. The "Insidious" scenes are so bad you feel sorry for the actors in them, especially Cedric the Entertainer, who reprises his role as Father Williams. As a last resort, Malcolm goes to find Ned and Noreen Swanson, a sort of racist and sexually frustrated paranormal investigative husband and wife duo. He brings them to his house, where they determine that the demonic presence has attracted the family to it, explaining Becky's need for the box, Wyatt's imaginary friend, and Malcolm's sexual attraction to Abigail.
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He finds the crazy priest in a church, shanking another priest for absurd reasons. When Malcolm asks for his help, Doug only makes weird comments about the Kardashians coming after him and other men. Malcolm leaves when he thinks he sees demons surrounding a church, but they're really just church women who make comments about Malcolm being with a white woman. Miguel comes over and offers a chicken to be used as a blood sacrifice, but the chicken becomes hysterical and fights back.
The Swansons take the possessed items, including Abigail so Ned can have sex with her. Everything seems okay until the next night when Malcolm and Megan are watching TV and Kisha shows up behind them. She twists Megan's neck around, killing her and sending Malcolm running away.
Encounter free-roaming monsters, terrifying mazes—spanning themes like a twisted carnival and an alien-inhabited space station—a “boo-fet” dinner and all sorts of other haunted houses and attractions at the OC theme park. Besides Cedric the Entertainer, who is a very funny stand-up comedian who can act (see "Barbershop"), "A Haunted House 2" also wastes the talents of veteran Kym Whitley and Gabriel Iglesias. Hell, it wastes the talents of all involved, because this isn’t even a movie. It’s edited like a series of end-credit outtakes and doesn’t even try to be coherent.
Box office
I learned there is no need to see "A Haunted House" unless you desire a marginally better version of the material that pollutes "A Haunted House 2." Whenever I watch found footage horror movies, I hope for a scene where the ghost/creature/whatever suddenly grabs the camera and starts shooting its own footage. Because if you’re stupid enough to continue recording when crap hits the fan, you deserve to die horribly and with better cinematography.
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Later, Malcolm sees a box moving in the dark and begins to attack it in every possible way he can. Megan and the kids run downstairs and tell Malcolm that what was in the box was supposed to be a surprise for him to make up for Shiloh Jr. Malcolm reaches into the box and pulls out a horribly mangled dog.
"A Haunted House 2″ is the kind of film that gives lowbrow comedy a bad name. It's just like the original, screamingly stupid. Sloppy, vulgar, and manic, A Haunted House 2 might be worth a chuckle or two, but mostly it's a string of pop culture references and crude gags that fail to hit their intended targets. Malcolm resorts to seeking help from the insane Father Doug Williams.
Among other weird scenarios that plague the family is Becky opening her box and having a whole swarm of moths fly out. Malcolm fixes this by installing bug zappers to attract the moths to their doom. He also notices the demon, which Professor Wilde says is named Aghoul, taunting him in the videos. Although he tries to explain the weirdness to Megan and the kids, they don't believe him. To make matters worse, Malcolm comes home the next day to discover Kisha talking to Megan, looking very much not possessed. She has told Megan that Malcolm left her in a ditch to die, and she leaves after flashing him some scary black demon eyes.
After moving into their dream home, Malcolm is once again plagued by bizarre paranormal events. The best haunted houses in Los Angeles run the gamut from homegrown horrors to big-budget amusement park productions—unsurprisingly, the home of Hollywood horror films takes its Halloween events very seriously. Whatever thrills you, whether it’s a hayride in Griffith Park or immersive theater at an old estate in Pomona (or perhaps some real-life haunted places), we’ve got it in this year’s list of the city’s best haunted houses in L.A. Although there are obvious elements imported from recent horror pics like “Insidious,” “The Possession” and “The Conjuring,” it’s hard to really call “A Haunted House 2” a parody. Parodies generally tend to riff on and comment upon the films and genres they’re sending up, while this effort simply uses them as a loose framework on which to hang a rapid-fire barrage of manic, heavily improvised setpieces.
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